Nylon / Instrument family

Crossover

A nylon voice with dimensions and access chosen for the way you already play.

Skull & Roses - Opus Virtuoso Slope-Dreadnought No. 780
No. 780 / Skull & Roses

The playing brief

What makes this direction different?

For musicians moving between classical, steel-string and electric instruments. Crossover is a conversation about feel: the neck, spacing, body depth and upper-fret access can matter as much as the choice of wood.

01

A more familiar neck

There is no single crossover neck. Emerald Tiger No. 767 uses a 49 mm nut, while the classical-flamenco crossover No. 716 uses 48 mm. Your reference instrument helps establish the right direction.

02

Body and access

Full body, semi-cutaway, palm bevel and full cutaway are different choices. Body depth and soundhole placement are considered with your seated or standing playing position.

03

On stage

Pickups and controls are specified around the system you use. Amplification is an option to discuss, not a promise that every photographed guitar carries the same electronics.

Completed instruments

The work, in detail.

These photographs, measurements and films belong to the numbered guitars. They are reference instruments, not a fixed specification or a statement of current availability.

Skull & Roses No. 780: complete front view of the nylon Slope-Dreadnought, RomanticWood top, ArcFret and amber headplates

No. 780 / Opus Virtuoso

Skull & Roses

Type
Six-string nylon crossover
Body shape
Slope-Dreadnought / Slope Shoulder
Body joint
12 frets to the body
Scale
650 mm
Nut
49 mm; hand-shaped, polished, semi-scalloped natural mammoth bone
Full Museum record
Crossover Guitar – Opus Magnum – Emerald Tiger

No. 767 / Opus Magnum

Opus Magnum – Emerald Tiger

Type
Crossover (nylon-string)
Scale
650 mm
Nut
49 mm, mammoth bone, hand-shaped, polished and semi-scalloped
Full Museum record
Classical-Flamenco Crossover Guitar – Opus Virtuoso – Custom

No. 716 / Opus Virtuoso

Classical-Flamenco Crossover Guitar – Opus Virtuoso – Custom

Scale
650 mm
Nut
48 mm, bone, hand-shaped, polished and semi-scalloped
Full Museum record
Luthier’s left-handed crossover guitar no. 491

No. 491 /

Luthier’s left-handed crossover guitar no. 491

Scale
647,7 mm (25.5″)
Nut
46 mm, natural bone, hand-shaped and polished
Full Museum record

Beyond the body shape

Your specification.

A body family is a starting point. Dimensions, materials, construction and electronics belong to the individual instrument.

The way it fits

Scale, neck profile, nut width, string spacing and left- or right-handed construction.

Personalisation

Body and access

Full body, semi-cutaway, palm bevel, Venetian or Florentine cutaway. Comfort and access considered together.

Cutaway choices

The acoustic design

Impedance Bridge, WAVE, ARS, soundhole position and ArcFret. The combination is agreed for the instrument.

Innovation Lab

Before you choose

A few useful answers.

How is Crossover different from Nylon-string Jazz?

Crossover starts with the player's preferred feel across different guitar traditions. Nylon-string Jazz focuses on our cutaway, offset-soundhole instruments and their stage-oriented playing brief. The two can overlap.

Are left-handed instruments possible?

Yes. No. 491 is a completed left-handed crossover. Handedness, access and control placement are agreed when the instrument is specified.

Made for your playing

Your Crossover.

Tell us what you play, what feels right on your current instrument and what you would change. The specification, price and anticipated timing are agreed before the build begins.

Discuss an instrument