The Flamenco guitars from my workshop have strong, brilliant, high notes, a high volume in the middle frequencies, almost no bass and a tone which has a very short attack time, but also a very short decay. The Flamenco guitar responds instantly because it is very lightweight. The soundboard, back, and sides are much thinner than those of a concert classical guitar. 

A big difference between the flamenco and classical guitar lies in the string’s action and playability. The only visible difference between flamenco guitar and a concert guitar is the golpeador.

Sample specification

First in the World luthier flamenco guitar which introduces the following innovations:

TopAlpine Spruce from Tirol –  Master Grade
Back&SidesVavona Burl with Sapwood – Master Grade
Scale650 mm
NeckAsymmetric made of flamed sycamore – Master Grade
FingerboardElevated, Ebony – Master Grade, binded
HeadplatesDouble, Ebony with the logo made of authentic black mother of pearl encrusted with 3 natural black diamonds
BridgeEbony – Master Grade, manually carved, encrusted with natural bone
RosetteIncrusted with natural black mother of pearl
ArmrestEbony, integrated with the guitar body
Nut52 mm, natural bone, manually shaped and polished
SaddleNatual bone, manually shaped and polished
TunersEbony knobs and black aluminum rollers with bearings and white mother of pearl screw reinforcements, ratio 18:1
BindingEbony – Master Grade
MarkersSide dot – authentic black mother of pearl – 7 fret, enlarged
FretsNickel-silver 18%
VarnishHighly-resonance, antistatic varnish (own recipe), hand-polished, honey-color, high-gloss
StringsSavarez Tomatito T50R


All my classical guitars are equipped in the newest generations of following patent/innovations as standard:

Acoustic Tubes

WAVE type resonator