The flamenco guitars from my workshop have strong, brilliant, high notes, a high volume in the middle frequencies, almost no bass and a tone with a very short attack time, but also a very short decay. The flamenco guitar responds instantly because it is very lightweight. The soundboard, back and sides are much thinner than those of a concert classical guitar.

A big difference between the flamenco and classical guitar lies in the strings’ action and playability. However, the only visible difference between a flamenco guitar and a concert guitar is the golpeador.

Sample Specifications:

First in the World luthier flamenco guitar introducing the following innovations:

Acoustic Tubes inside the guitar neck
Top with WAVE type resonator
Back & sides made in High-Tech Press

Top	Alpine Spruce from Tirol (Master Grade)
Back & sides	Vavona Burl with sapwood (Master Grade)
Scale	650 mm
Neck	Asymmetric made of flamed Sycamore (Master Grade)
Fingerboard	Elevated, Ebony (Master Grade), binded
Headplates	Double, Ebony with the logo made of authentic black mother of pearl, encrusted with three natural black diamonds
Bridge	Ebony (Master Grade), manually carved, encrusted with natural bone
Rosette	Encrusted with natural black mother of pearl
Armrest	Ebony, integrated with the guitar body
Nut	52 mm, natural bone, manually shaped and polished
Saddle	Natural bone, manually shaped and polished
Tuners	Ebony knobs and black aluminum rollers with bearings and white mother of pearl screw reinforcements, ratio 18:1
Binding	Ebony (Master Grade)
Markers	Side dot – authentic black mother of pearl – 7th fret, enlarged
Frets	Nickel silver 18%
Varnish	Highly resonant, anti-static varnish (own recipe), hand-polished, honey-color, high-gloss