





The flamenco guitars from my workshop have strong, brilliant, high notes, a high volume in the middle frequencies, almost no bass and a tone with a very short attack time, but also a very short decay. The flamenco guitar responds instantly because it is very lightweight. The soundboard, back and sides are much thinner than those of a concert classical guitar.
A big difference between the flamenco and classical guitar lies in the strings’ action and playability. However, the only visible difference between a flamenco guitar and a concert guitar is the golpeador.
Sample Specifications:
First in the World luthier flamenco guitar introducing the following innovations:
- Acoustic Tubes inside the guitar neck
- Top with WAVE type resonator
- Back & sides made in High-Tech Press
Top | Alpine Spruce from Tirol (Master Grade) |
Back & sides | Vavona Burl with sapwood (Master Grade) |
Scale | 650 mm |
Neck | Asymmetric made of flamed Sycamore (Master Grade) |
Fingerboard | Elevated, Ebony (Master Grade), binded |
Headplates | Double, Ebony with the logo made of authentic black mother of pearl, encrusted with three natural black diamonds |
Bridge | Ebony (Master Grade), manually carved, encrusted with natural bone |
Rosette | Encrusted with natural black mother of pearl |
Armrest | Ebony, integrated with the guitar body |
Nut | 52 mm, natural bone, manually shaped and polished |
Saddle | Natural bone, manually shaped and polished |
Tuners | Ebony knobs and black aluminum rollers with bearings and white mother of pearl screw reinforcements, ratio 18:1 |
Binding | Ebony (Master Grade) |
Markers | Side dot – authentic black mother of pearl – 7th fret, enlarged |
Frets | Nickel silver 18% |
Varnish | Highly resonant, anti-static varnish (own recipe), hand-polished, honey-color, high-gloss |
OTHER | |
Strings | Savarez Tomatito T50R |
Hardcase | Highest quality |
Warranty | Lifetime |
Innovations
All my nylon-string instruments are equipped with the newest generations of the following innovations: