— Mak Grgić – 2022 Grammy Award Nominee

the best tradition of crafts. In addition, the refinement and the attention to detail into the construction ensure that the result is a true masterpiece. I am delighted to have met you Rafał, you are a great luthier and a lovely person.

thing called musical instrument. The thing about e-mail exchange with Rafal ,I was able to understand, but there was a shade of anxiety until the instrument arrived at hand. Arrived instrument was a degree of perfection beyond the prediction. Such as Hauser, Bouchet,and Fleta, I have played other excellent instruments ,They are made in the traditional method of construction. In recent years, Guitarists have increased ,who use the instrument of represented by theSmoallman guitar of the lattice bracing and Dammann guitar of the double top, The first reason would be volume. Rafal guitar had already surpassed in the construction method of Wave Rezonator. His guitars had original elements of composition. Also, there are many original construction methods. It has given rise to very ingenious structure.Richly echoing the low-frequency, high frequency of great elongation, good balance in all positions, and beautiful tone these are features of his instrument. Day by day, while there are musical instruments of traditional instruments and modern Europe.his instrument is a top-level definitely in the world. His guitar has beauty and unparalleled sound quality, like the jewelry, which is really amazing thing.Guitarist Hiroshi Miura in Japan

shipped out soon after and packed very well to keep it safe during its cross-continental journey. Rafal is responsive and kind, and a genuine pleasure to talk with. He’s knowledgeable about his craft and a very trustworthy person. In terms of the guitar itself the action is set perfectly on both the nut and saddle with a relatively low action height making it very easy to play. I am very picky about everything being absolutely perfect on my guitars as I used to work in the music industry as a guitar tech. The guitar is very light similar to a flamenco and the bass response is the greatest I’ve ever felt or heard while playing a traditional classical guitar. I chose the Western Red Cedar top, and I’m glad I did. The entire body reverberates against your chest on the bass notes with instant transient response. I would describe the tone as very woody, hollow, open, and snappy with a fast attack. I do find that the guitar is much brighter and deeper in person than I expected which gives it tremendous depth from highs to lows. After testing many sets of strings my favourite were the classic nylon red from Augustine which tamed the top end and gave it an intense fullness and depth… One of the best tones I have ever heard from any wooden instrument. The fretboard is ebony and hollowed out for the acoustic tubes, which I found gives the notes more character and tone from the fretboard itself. As a player this also directs more sound towards you which sounds fantastic while practicing. As you move your plucking hand towards the neck of the guitar the tone becomes warmer as traditionally expected, however the attack on the notes actually increases as opposed to most guitars which do the opposite. As your plucking hand moves back towards the bridge the tone becomes brighter and increases the dynamic range of the instrument as you would expect. The fret work is perfect from the first fret to the last, and the bow in the neck is set exactly as I would expect. There is no obvious buzzing on this guitar on any frets. The finish on the pau ferro back and sides, and cedar top is done very well. The sycamore neck is brilliant and stiff, which lends a crisp tone to the nylon strings, not to mention it’s stunning to look at. The tuning machines are some of the best I’ve felt as they turn very smooth with great accuracy. Tonally I can’t recall playing any classical guitar with this level of dynamic range and responsiveness. While you may get more wood character from a 100 year old Torres, you will never find another guitar with the depth and range offered here. Turkowiak makes the ultimate modern classical guitar destined to become a classical icon with age; this is the next generation of classical guitar design.

they are…I have played many classical guitars, from the vintage to the modern, many of them from the best makers in the world. This includes the top modern Spanish, American and Japanese builders, and vintage guitars ranging from Domingo Esteso to Ignacio Fleta. In my opinion, you can expect a Turkowiak guitar to be at least equal to any of these, and BETTER than the MAJORITY of them. And to be considered too, are Mr. Turkowiak’s modern technological innovations and outstanding aesthetic beauty of his guitars in appearance. My suggestion to all is to buy a Turkowiak NOW, because I suspect that soon, Mr. Turkowiak’s waiting lists will extend so far in to the future, one will spend a lifetime waiting! — Walter T. Downs, Florida, USA

of Ebony and Mammoth bones with anti-static paint (to avoid dust). This guitar is a jewel, even looking at it you have the feeling of something extremely valuable. The sound is even better than the looks, with the innovations patented by the ingenious Turkowiak the guitar sound is utterly unbelievable. The sustain notes are much better compared to any other guitar that I ever heard or tried. When playing bass notes it seems almost to play on the Pink Floyd’s pad; this characteristic applied to classical pieces can give the impression of playing multiple instruments together. The sound is so malleable, wonderful, crystal clear and round that is possible to make it sound like a harp or to render the melodies dark or bright, depending on how you feel. All of this happens very naturally and it’s very easy to play this guitar. The sound is always very, very easy to control; The loudness is homogenous on all the strings and also when playing full chords it’s possible to hear every single note, without any of them prevailing on the others. Before this guitar I have played for 18 years a Ramirez Concierto (the top instrument in the Ramirez brand), but from now on I won’t use it anymore; my first choice is Turkowiak’s guitar, that for me is the Ferrari of the guitars.

to own one of his guitars. My advice to anyone out there that is looking to buy a guitar is buy a Turkowiak Guitar. You will love it. I honestly can’t praise it high enough. Thank you RafalRegards
John Shaw

sound. I can say I have a piece of art, with innovations that you will not find in any other guitar.

even better instruments. I do recommend. Slawomir Dolatito Dolata President of Duende Flamenco Foundation – a guitarist

plays beautifully, while still allowing for correct classical guitar technique. The unusual cut-away allows for precise and relaxed playing in the instrument’s highest registers. Despite the fairly large body (almost as large as Dreadnought), the guitar’s ergonomic construction makes it extraordinarily comfortable to play. The unconventional body-construction and the integrated armrest contribute to this very balanced character of the instrument. With its premium quality parts and workmanship, the Turkowiak Luthier’s jazz guitar no. 47 is a splendid instrument, a perfect marriage of tradition and innovation. For me, it is the ideal instrument for early 21^st century fusion music. It is indeed a ‘Queen of guitars’ built by a King amongst luthiers.” Conrad Bruch Luxembourg composer, singer-songwriter and guitarist

on its own. It is not a guitar -it is a masterpiece. Many jazz guitarists would like to have a classical guitar that Pat Metheny plays but now I wouldn’t swap mine for theirs. I recommend Rafal Turkowiak’s guitars to all guitarists, not only classical ones. Marek Jakubowicz

of the luthier.
I would also like to add that Rafal is a wonderful person which is very interested in learning need of every customer and offering him guitar which fulfills musician requirements.Thank you Rafal for everything – Antionio Vitorio

and on and couldn’t stop enjoying its amazing sound. I finally bought a guitar from him. It’s a fantastic instrument. However, Rafal  is most important to me – he puts his heart in his guitars and that’s why they have a soul, they are top quality instruments with a warm sound. I do recommend.

packed in a very nice hardcase and its appearance and quality exceeded my already high expectations.
I have played acoustic guitar for several years, but I am relatively a novice when it comes to classical guitar with nylon strings. I must say that this instrument has much more volume and sustain with great sound quality when compared to my Cordoba Hauser model that I am currently playing.
I highly recommend guitars crafted by Rafal.

out effortlessly with lingering sustain making each chord meld into the next. There are so many additional features. I’ve had the guitar less than a week and I can say with confidence that my chord transitions and playing have already improved because of the comfort of the guitar and because of its musical qualities. I have finally found my dream guitar. This guitar is elegant and the craftsmanship is superb. It has been a pleasure doing business with Rafal. He is truly an innovative artist!   Marge Browning; Flower Mound, TX

to WAVE-type resonator, the guitar is extremely loud and the sound seems to last forever. I am fully convinced that I have never come across a louder acoustic sound. Apart from the innovation, the instrument has got the characteristic  and desired sound of flamenco guitar. Thanks to the asymmetric neck, left hand gets tired more slowly while playing.

saying: ‘The grass is always greener on the other side of the fence.’ The above sentence may become obvious to every musician who at least once managed to grasp the guitar holding the title ‘Queen of guitars’ – an instrument made in Rafal Turkowiak’s Artisic Workshop. It’s high time we looked objectively and critically at classical guitars manufactured by world-renowned companies. As an amateur musician I have had loads of opportunities to test guitars made by  famous companies like Antonio Sanchez, Ramirez, Alhambra, Admira, Rodriguez, Martinez and others. It seems to me that all above companies will have a huge problem in competing with Rafal Turkowiak’s instruments. Recognition of the class and unique quality of the latter is just a matter of time and appropriate analysis of the issue.   It’s really worth bowing down to technical innovations coming out of Rafal’s workshop. These are revolutionary solutions resulting in wonderful sound and offering extra technical features (asymmetric neck and elevated fingerboard). I don’t think that even the most descriptive opinion on the Queen of guitars will ever replace the real impressions a guitarist may get when playing this instrument. Such instruments must be ranked appropriately among other luthiers’ masterpieces.

music school after checking the guitar advised me to use it along with the school luthier’s guitar during my auditions and exams.Today I passed an exam and I got  a five.  It was the first time that I used your guitar during my exams and I got an impression that the jury really liked it. Therefore, I would like to thank you very much for making such a wonderful instrument. I am really happy to have it and play it.

hatred, joy, sorrow… all within easy reach. I’ve got your artifact, Rafal, and I am still learning how to move it.

play. Very powerful and deep action of the bass and wonderful and pearl sound of the treble can stun every listener. And because of that, if I were to choose again, I would definitely choose your guitar.

luthier’s service during and after the warranty period is very important. I have used the guitar in my concerts for two years and that’s why I can easily compare it with other guitars. Mine stands out among other guitars in terms of the sound power, softness and ‘sweet’  tone of the treble strings  and clear deep bass. I recommend ‘the Queen of guitar’ series – you won’t regret it.

bass, selective and sounding treble and wide articulation possibilities. And it’s only the beginning, the guitar is not well played yet. I should point out that the new instrument gets tuned almost perfectly and you can easily get rid of minor imperfections during the first ‘service’ visit at Mr Turkowiak’s. It is a top quality instrument  both technically and aesthetically with ‘extras’ such as mammoth bone and black bison horn which give the guitar more glamour.I hope it will serve me well for a long time.

has got a soul. It appeals to me. I recommend it.

unique masterpiece. What’s more, there’s no doubt that when you have this guitar, you have the major part of the heart of the man who leaves his heart in it. Both phenomena – the guitar and its creator – Rafal Turkowiak – are unique. When I met Rafal Turkowiak, I met a man who passes his passion on to others and one of very few people who, along with their work of art, pass on a part of themselves to the lucky user: class, proficiency, honesty and great pleasure.

immediately thought of Rafal – and I fell In love with the guitar at once and though I didn’t have enough money, I knew that it was the only instrument to satiate my artistic desires. With no doubt, this master piece has pleased me for almost two years and the instrument itself, which still matures, shows richer and richer depth of its soul given by Rafal. Congratulations Rafal, my delight is endless and the love you put in your guitars is contagious like the exhilaration of the crowd at a concert, the smell of spring flowers or Mona Lisa’s mysterious smile. There’s nothing else that I can recommend with a clear conscience but your guitars. Congratulations.